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  1. Reward Yourself
  2. A History of Cant and Slang Dictionaries: Volume III: 1859-1936
  3. Catalog › MARC Details for Record No.
  4. Tomorrow is another day : (Record no. 6092)

And the class—aristocratic—that the image of the lady represents receives a stronger emphasis in the South than elsewhere. For example, she observes that,. In contrast to symbolizing beauty as purity and fragility, as the southern lady should, these protagonists have dark eyebrows and strong bodies. Probably because their values—free intelligence, aloneness, self-assertion—are traditionally masculine, the physical appearance of the protagonists is often atypical, even androgynous. Additionally, she is more than happy to be done having children after she has Bonnie Blue.

When she is displeased by the snug fit of her dress, she states simply: "I just won't have any more babies" Mitchell Though it may make her an unlikeable character at times, the necessity of her actions does not go unnoticed, even by her. This is shown in a conversation she has with Rhett: "You're a fine honest rogue, Scarlett! Not as kind and as pleasant as I was brought up to be.

But I can't help it, Rhett. Truly, I can't. What else could I have done? This shows that Melanie trusts Scarlett more with business than her own husband. This also shows an acceptance from the former lady that the new woman, with her self-sufficient and masculine ideals, has survived through the toughest times and taken over the old traditional values. Therefore, through Melanie's constant frailty and death, and Scarlett's contradictory survival, Mitchell shows the ultimate success of the strong, independent new woman as opposed to the compliant and inferior traditional woman.

"Tomorrow Is Another Day" (1930) Ted Fiorito

Schiesl 9 Works Cited Adams, Amanda. The University of North Carolina Press. The Southern Literary Journal, Vol.


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Clark, G. The William and Mary Quarterly, Vol. Faust, Drew Gilpin. Southern Cultures, Vol. Fox-Genovese, Elizabeth. The Johns Hopkins University Press.

American Quarterly, Vol. Kreyling, Michael.

Reward Yourself

Southern Historical Association. The Journal of Southern History, Vol. Schiesl 10 MacCorquodale, Patricia L.


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National Council on Family Relations. Journal of Marriage and Family, Vol.

https://goodglissifin.tk

A History of Cant and Slang Dictionaries: Volume III: 1859-1936

Manning, Carol S. South Atlantic Modern Language Association. South Atlantic Review, Vol. Mitchell, Margaret. Gone with the Wind. New York: Pocket Books, Petersen, Robert C.

Catalog › MARC Details for Record No.

Midwest Modern Language Association. Toth, Emily.

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South Central Review, Vo. Related Papers. By alex evilless. By Emmeline Gros. By sajidjat sajid. By Suzanne Kamata. Download file.

Tomorrow is another day : (Record no. 6092)

As each of these writers distinctively re-envisions traditional constructions of southern womanhood, Henninger shows, she joins the others in challenging the constrictions of "southern woman" and so changing the meaning of southernness itself. For more information about Katherine Henninger, visit the Author Page. South and to fictional photographs by southern women. Katherine Henninger produces a smart twenty-first century take on reading the South; she reframes the iconography of a dominant male gaze in historical representation with the iconoclastic word work of women seeing and signifying differently.

Davis, University of Pennsylvania.